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Submissions are starting to find their way onto the website of the Legal and Constitutional Affairs Committee website. That committee is doing an inquiry into the exceptions that should be provided to the new anti-circumvention laws which must be enacted in Australia as a result of the Australia-United States Free Trade Agreement.

In its submission in the fair use/fair dealing inquiry, The Copyright Agency Limited (CAL) found history, harking back to the invention of the wheel, which it appears CAL did not realise was a recent Australian invention, which received an Innovation Patent.

Now it’s serious. CAL have found religion: (more…)

You might recall that on 5 September of this year, Justice Wilcox handed down judgment in Universal Music Australia Pty Ltd v Sharman License Holdings Ltd, colloquially known as the Kazaa case. It’s all about whether Sharman and others authorised infringement of copyright occurring over the Kazaa network. Wilcox J held that they did. I commented on the case at the time.

Were you wondering what had happened in the case? Whether it was on appeal? What was being done about the orders, at the time, requiring Sharman to make adjustments to their technology with a view to reducing the level of infringement occurring via the Kazaa network?

Well, thanks to the wonders of the Federal Court’s eCourt facilities, we can find out. (more…)

When I commented on Stevens v Sony (here, and then here), I focused on the issue of the meaning of the anti-circumvention provisions. As others have pointed out (here, and Warwick Rothnie here), other matters were raised in the case – in particular, the meaning of reproduction in material form, or ‘copy’. William Patry has some interesting views on the issue today.
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The New York Times has reported on the rising cost of licensing intellectual property, noting that the asking price for licensing six seconds of a popular telephone ringtone for use in a documentary film was US$10,000 (eventually negotiated down to US$2,500). Overall, the documentary cost approximately US$500,000 to make, of which about US$170,000 were music licensing costs.

I’m all for compensating artists for using their works. But it’s clear that making low-budget films (particularly documentaries) is not necessarily so low-budget after all, particularly if the creators would like to make use, however fleeting, of clips of music, photographs, or other works protected by copyright.

This makes me think, should there be a sliding scale for licensing fees? Perhaps one based on the intended use of the licensed material, or on the profits received? Such a system might not be such a good deal for the rights holder. However, assuming that the high cost of IP has lead to people creating copyright works that infringe other works, it would be interesting to find out if cheaper licensing fees in certain situations might increase compliance with IP laws.

The Svenska antipiratbyrÃ¥n, the Swedish Anti-Piracy Bureau (a lobby group working against and investigating cases of alleged copyright infringement), has sued an individual for sharing movies online using the DirectConnect file-sharing protocol. The court, which heard the case last week, is expected to deliver a verdict on 25 October. (more…)

Are newspaper headlines protected by copyright?

The Japanese Intellectual Property High Court (a branch court of the Tokyo High Court) has ruled that a small Internet company’s unauthorised use of headlines from Japan’s best-selling newspaper, the Yomiuri Shimbun, is illegal.

Strangely, although the company, Digital Alliance Corporation, has been ordered to pay about Â¥237,700 (about US$2,000 or A$2,758) to the Yomiuri, and the court said that the use of the headlines was illegal, Judge Tomokatsu Tsukahara noted that as headlines are not mentioned in Japan’s Copyright Law the law is not completely clear, and he did not order Digital Alliance to take down the headlines from its website. Presumably Digital Alliance’s use of the headlines was illegal for a reason other than copyright infringement. (more…)

The Court of Appeals for the Eleventh Circuit recently decided a rather fascinating case, HGI Associates v. Wetmore Printing Co.. It begins:

In this case, the Microsoft Corporation (“Microsoft”), through its subsidiary, Microsoft Licensing, Inc. (“MSLI”), and business partner, Wetmore, attempted to set an ill-conceived trap to ensnare a suspected software pirate, HGI. The trap, however, only managed to ensnare Wetmore.

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APC Magazine has a very interesting ‘feature’ today on MIPI, the friendly-sounding but definitely serious enforcement arm of the Australian Record Industry (doesn’t it just make you think it’s the name of a Muppet figure from Sesame Street? Hi, I’m Mippy. Who wants to play a spelling game with me? Can you spell P-I-R-A-C-Y?)

Anyway, name jokes aside, this is a serious report. It deals with the identity of MIPI, copyright enforcement strategy in Australia and likely shifts in that strategy (will we have more criminal enforcement?), and the settlement of the Australian BitTorrent case. (more…)

Larry Lessig has many examples of ‘remix culture’ in his book, Free Culture. Examples of images or other existing works taken out of context and then used to make a point or make new creative works. I’ve given examples in the past, too, like the post I once did on the Tarnation film. The point that Lessig (and others) have made about ‘Remix Culture’ is the fairly simple old adage: creativity often builds on the past.

I reckon this new Unicef ad campaign against child soldiers in Belgium is a pretty good example. (more…)

The US Copyright Office has announced the start of the next rule-making on exceptions to the ban on circumventing access control measures under the US DMCA. Submissions from the public are now being sought, with hearings scheduled for April 2006.

This is relevant to us here in Australia, as the House of Representatives Legal and Constitutional Affairs Committee is currently holding an inquiry on the appropriate exceptions under the currently-being-drafted Australian version of the DMCA, which we must enact as a result of the US-Australia FTA (for my previous comments on this, see Weatherall’s Law, on the sidebar, or click here and here).

Might I point out the process adopted by the US to prepare submissions on this issue? 2 months for initial comments, with a period set aside for reply comments. Overall, the US process looks decidedly less rushed than what the Australian government appears to be doing.

Bit of a round up around the place on the Stevens v Sony ruling by our High Court, which I’ve commented on already: (more…)

Apparently special leave was refused by the High Court in The Panel case this morning. I assume the issue on which special leave was sought was the concept of ‘substantial part’ as interpreted in the recent Full Federal Court decision. (yes, I know – it’s already been to the High Court once. On the meaning of ‘broadcast’. But then the Full Federal Court gave a judgment on what constitutes a ‘substantial part’ of a broadcast).

So that long copyright saga draws to a close. All together now … sigh.

I’d be relieved, only that it leaves Australian copyright law on the meaning of ‘substantial part’, particularly as it relates to Part IV subject matters, pretty much incomprehensible (hat tip: Michael Handler for passing on this news).

USA Today has reported that a Yahoo-backed alliance plans to provide digitised copyright material online. Yahoo Inc., along with partners including Adobe Systems Inc., Hewlett-Packard Co., the Internet Archive, O’Reilly Media Inc., the University of California, and the University of Toronto, plans to do something similar to the Google-backed initiative that I described in an earlier post.

The difference between the projects is significant. Where Google has, controversially, announced that it will provide excerpts of copyrighted works unless the copyright holders “opt out”, the Open Content Alliance is instead pursuing an “opt in” policy: only when the copyright holder explicitly gives permission will a work be made available. The actual difference between the two approaches is not so great, however. (more…)

You can find his comments here, on Weatherall’s Law, and here, on Michael Geist’s blog.

In Stevens v Sony, the Australian High Court today offered its first view on Australia’s current legal equivalent to the US DMCA. The encounter is an interesting one.

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