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This is an interesting story, from Larry Thompson, the Engineering Librarian at Virginia Tech, regarding DRM restrictions on SAE Digital Library, apparently a set of technical papers used by engineers – and engineering academics and students.

The DRM which SAE is proposing will apparently allow digital access only while a computer is connected online: it will not be possible to save copies to computers – if you want ongoing access, you have to print. How very 20th century. According to Larry Thompson, Virginia Tech is now considering what to do: as he puts it,

‘Do we want to spend thousands of dollars on digital format papers that users can’t save to their computers? The professor who wants to read an SAE paper while jetting to Europe for a conference will need to print out the paper … If one publisher does this, it may not be too bad. But what if every publisher adopts this policy, and the professor wants to take 50 papers to read during the flights? Do we want to pay roughly double the cost for a corporate license, in order to legally cover the walk-ins who might use the product, because as a land-grant university our library computers are open to the public?’

Read more here.

As we await the implementation of the OzDMCA, it’s been interesting to follow the debates, over in Europe and elsewhere, about Apple’s iTunes/iPod link. The basic issue here is that iTunes-purchased music can only be played on Apple iPod players – unless, of course, you hack the Apple FairPlay encryption (which can be done using various well-known methods).

The issue, of course, is that if someone buys a whole bunch of iPod music, then you get lock in – they’ll be more reluctant to move to another player. The technological protection, in other words, might serve to raise barriers to entry in the music player market. It’s attracted a bunch of attention recently. Here’s the brief summary:

1. A few people got very excited when Microsoft announced it would be coming out with a new player/music service, so far named Zune, and that, to get out of this lock-in system, Microsoft would be looking to replace, for new users, any music they’d bought on iTunes. Have a look at the debate over on Freedom-to-Tinker (Post 1 and Post 2);
2. In France, we had the DADVSI law – originally seen as potentially ‘forcing’ FairPlay open, the final form of the law has, according to reports, seen the provisions on interoperability eviscerated (see the Wikipedia entry on DADVSI here)
3. Now, in Scandinavia, we have news today that Apple Computer Inc. met a Tuesday deadline with a 50 page response to Scandinavian regulatory claims that Apple is violating their laws by making its market-leading iPod the only compatible portable player for iTunes downloads. So far, the response is confidential.

What’s that phrase? Stay tuned? And perhaps watch for what the effect of any Australian law will be on all this…

Today’s funny moment is from The Australian, which is carrying a story that French cosmetic company L’Oreal has won a copyright suit against a Dutch company for copying a perfume. The story appears to have originated in The Times, but does not as yet appear to have been widely syndicated. The bizarre thing, of course, is how such a claim could be brought in copyright. (more…)

Well well well. All the news today reports that Kazaa has settled with the American Music Industry, agreeing to pay $US115 million ($A151 million) and convert to a legal business model with licensing arrangements to be negotiated with record labels (see The Age here, Washington Post here; Techdirt here)

Now I can’t help but wonder whether we have several Federal Court judges who, having spent quite a few days in February hearing the matter, and perhaps a bit of time writing a judgment, are now a little deflated.

Guess we won’t be getting a Full Federal Court view on what constitutes authorisation of copyright infringement. The rather spare reasoning of Justice Wilcox will stand.

Sigh. And I was so looking forward to dissecting another big copyright judgment or two.

Update: more news from Techdirt: apparently some of the settlement is being paid by the Kazaa founders.

Update 2: I’m told by a reader that I shouldn’t despair (yet). As one reader pointed out, the court can still publish reasons where there are ‘principle[s] of general importance’, and an appeal can only be discontinued with leave of the court (which presumably could be refused). And in any event, the appeal in Cooper – another copyright case also raising authorisation issues – is due to be heard in early August…

Update 3: I should have noted before: Peter Black on Freedom to Differ has also commented.

Update 4: First thing this morning: come in to work to find all the newspapers and US blogs reporting the Kazaa settlement. 8:24am: blog the story on Weatherall’s Law, then LawFont. 10:30am: receive notice from the Australian Copyright Council regarding the settlement. 4:48pm: receive Freehills Intellectual Property Update notifying me of the settlement. Observations: (a) the ‘more traditional’ sources of IP news (law firms, Copyright Council) are pretty quick these days; (b) do you think blogs – as part of the ‘always on’ news and information cycle – have anything to do with this? (c) I’m going to be out of a blogging purpose if law firms become more like blogs… won’t that be good!

Update 5: more rather amusing commentary on the settlement from Geeklawyer, and sensible points from Technollama – like, this is hardly a victory, right?

One of the things I said just recently, in the Unlocking IP Conference at UNSW, was that one issue for Creative Commons, in seeking acceptability for use in the public sector, is the rhetoric. I argued that sometimes, in their eagerness to convince ‘the masses’, Creative commons mateiral has a tendency towards rhetorical excess and a ‘boosterism’ that isn’t a comfortable fit with either the public sector, or, indeed, with Australian culture more generally.

I wonder if other people agree with this point? (more…)

It’s time for another post on the OzDMCA – that is, the forthcoming Australian law implementing Article 17.4.7 of the Australia-US Free Trade Agreement – an article based very closely on the (in)famous US law, the DMCA. I’m prompted to write by a recent Slashdot thread on this, as well as the recent Linux Australia campaign seeking to highlight the dangers of a DMCA-style law in Australia. The Linux Australia pages have a general explanation of the issues on DVDs (see iownmydvds.org here), and on some of the issues in music (see iownmymusic.org here).

I’m also prompted by the fact that it is now July, 2006, and we have not seen any exposure draft of the legislation. Given the timeline, I think we can only assume that either (a) the Department have decided to consult only with some limited set of stakeholders, or (b) that any consultation is going to be extremely brief.

Now, as I’ve said numerous times before (see my submission, 2 years ago, to the Senate Select Committee, and my submission, last year, to the LACA Inquiry) – anti-circumvention law is hard. It also has really strong potential to have nasty effects if implemented badly. And the risks of bad implementation are high, because the AUSFTA text is really problematic – it has a structure that has some ‘lamentable and inexcusable’ flaws (the quote is from LACA).

I’ve been wondering for some time whether we need to enact laws that look like the DMCA. I think there are areas where the AUSFTA text does have space to do things that are sensible.

So in this post, I’m going to outline two things Australia could do in implementing the OzDMCA, which would reduce its bad effects. (more…)

About a month and a half ago – on 14 May – the Attorney-General issued a press release, announcing proposed new exceptions to copyright: the outcome of a long review that commenced approximately 12 months before (by the way, check out the text in the URL on that last link – it’s deliciously ironic).

I know that the press release was some time ago, and I know, too, that the draft legislation is not out yet. But I’ve been thinking about the press release a bit, lately, and in particular, the way it would seem to indicate that this exception will look. I thought I’d share some of those thoughts. (for other thoughts, see the Australian Copyright Council’s response, posted here). (more…)

Yahoo reports that the US Supreme Court refused to hear an appeal by AA Milne’s granddaughter Clare to cancel a licence to the Winnie the Pooh characters from the estate of a long-time licensee so she could license them to Disney.

According to a scanned article on the website of the licensee’s lawyer’s firm, Disney was a co-plaintiff of Clare Milne’s at trial, but did not join the appeal. The estate of the licensee, Stephen Slesinger, won both the trial and appeal to the Ninth Circuit Court of Appeals from which Milne unsuccessfully sought certiorari. (more…)

IPLaw360 reports on a lawsuit by a Stanford researcher against the estate of James Joyce to use material to supplement a book she has written about the author.

According to the story, the researcher, Professor Carol Shloss, removed material from her 2003 book about the Irish author and his daughter in response to threats of a copyright infringement lawsuit by the estate. She is now suing in the Federal Court for the Northern District of California to obtain a declaration that posting the removed material on her website as a companion to the book would not result in copyright infringement.

Stanford’s Center for Internet and Society has a copy of the suit. There is comment on the case in The New Yorker, and it was also mentioned in a lecture given last year by Matt Rimmer.

What I wonder about is how much of this material is actually copyrighted, given that at least some of it seems to have predated (in the USA) the 1976 Copyright Act, and (in the UK) the 1956 Act. (It is not clear from the complaint when all the material complained of was created. It’s also not entirely clear whether or when copyright in material created by third parties was transferred into the estate.)

The New York Times is reporting on a story by journalist Seth Mnookin that will appear in the forthcoming issue of Vanity Fair about author Lewis Perdue’s lawsuit against Dan Brown. I commented a couple of months ago on Perdue’s loss in the Court of Appeals for the Second Circuit.

The Vanity Fair article is not yet online, but the Times article gives an idea of what it will be about, and has some quotes. After introducing the procedural history, it states that “Mr. Mnookin’s article suggests that Mr. Perdue might have had a valid case, if not a strong legal one. Mr. Mnookin compares the two novels, finding that ‘The Da Vinci Code’ ‘contained a plot, pacing and structure that were very similar to “Daughter of God’s”‘ ,” and continues (more…)

Is linking to websites without permission against the law? Generally not. But Apple may not be so far off the mark by demanding that comedy website Something Awful remove a link posted to one of Apple’s own internal service manuals. (The service manual is posted at a third website, which was not authorised to reproduce the manual, and not Something Awful itself.)

However, as pointed out on Out-Law, the truth may be that Apple’s complaint has not put the company in a “tricky and potentially embarrassing situation.” Although in general linking does not violate copyright or other applicable laws, links to infringing material may expose the linking party to contributory copyright infringement. In other words, posting the link, while not a direct infringement of copyright, might be deemed to encourage others to infringe copyright by dowloading the infringing material (in this case, the manual). (more…)

The US Supreme Court has unanimously allowed eBay’s appeal regarding the award of injunctive relief for patent infringement, and returned the case to the District Court for further consideration. Justice Thomas wrote the opinion of the court, which was characteristically short and to the point. The Chief Justice issued a concurring opinion joined by Scalia and Ginsberg, J.J., and Justice Kennedy issued a concurring opinion joined by Stevens, Souter and Breyer, J.J.

The procedural background was as follows: MercExchange held a number of patents which it attempted unsuccessfully to license to eBay and half.com. MercExchange then sued the two for patent infringement, and succeeded. (more…)

The Attorney-General has now put up the press release on the outcomes of the Australian Copyright Law Fair Use Review. The full press release, along with a ‘FAQs for Consumers’, is available here.

My comments/analysis, posted yesterday, are here.

Update: Another document promised in the press release, the official Government response to the Digital Agenda Review Report (a report published 2 years ago, in early 2004) is now available online, from this page.

Note that according to the media release, ‘a draft exposure Bill including these and other reforms will be released in the near future to enable further consultation with stakeholders.’

The Government, in the budget, has quietly shelved proposals for a resale royalties scheme – despite recent introduction in the UK and a recent private members’ bill. The idea has gone because ‘It would bring little advantage to the majority of Australian artists whose work rarely reaches the secondary art market and would also adversely affect commercial galleries, art dealers, auction houses and investors.’ Hat tip: Warwick Rothnie.

(subtitled: Outcomes of the Fair Use Review Announced).

For the past 12 months, Australia has been going through a major review of its copyright law, and in particular, its exceptions to copyright infringement, with a view to ‘updating’ this material for the digital environment. I note that we are not the only ones: Canada are having an ongoing debate (see Michael Geist on all this), and the UK are having their Gower Review (see here).

Today, the Attorney-General has issued a press release, announcing the results of the review. As yet, the press release does not appear to be online, so I’ll summarise. In essence, the government has decided not to adopt the US ‘fair use’ system – where a broadly worded defence must be assessed on a case-by-case basis. Instead, the government will expand, and amend, existing specific exceptions in Australian law. That makes the amendments complicated, but potentially more certain.

The Attorney-General, Philip Ruddock, is characterising the reforms as:

‘…significant copyright reforms which make our laws fairer for consumers and tougher on copyright pirates.’

According to the AG:

‘These are commonsense amendments which will maintain Australia’s copyright laws as the best in the world for the benefit of our creators and other copyright owners and for hte many Australians who enjoy their creative works.’

I wonder, though. The government does appear to have caved on the issue of the ‘flexible exception’ – the ‘catch all’ provision to except uses not foreseen at the time of this legislation. In my submission, I supported such flexibility, and I’m very sorry to see it apparently not there. I wonder whether in a few years time we will be saying what Bill Cornish (not an IP radical or copyleftist, by any stretch of the imagination) said in his Clarendon Lecture:

‘With rapid technical shifts on the scale of the Internet, there must be a case for giving judges some more general power to excuse at the edges, along US lines. After all, at the centre, legislation is rapidly providing the mainstays of control. As one who tried in 1988 to persuade Parliament to introduce a concept of fair use, I feel now even mroe acutely that our failure was a major rebuff. ‘ (Bill Cornish, Intellectual Property: Omnipresent, Distracting, Irrelevant? (OUP 2004) at page 65)

The press release maintains principles which Ruddock has stated a number of times:

• 1. That copyright must keep pace with technology and rapidly changing consumer behaviour;
• 2. that ‘reasonable consumer use of technology to enjoy copyright material’ should be recognised – ‘Australian consumers should not be in a significantly worse position than consumers in similar countries’
• 3. reforms should not ‘unreasonably harm or discourage the development of new digital markets by copyright owners’
• 4. The unique Australian system should be maintained – we are not moving to US-style fair use;
• 5. the law should be updated to tackle rising copyright piracy, and to support the copyright industries.

In summary, the AG has announced:

1. 2 new private use exceptions – time-shifting and format-shifting;
2. new exceptions allowing schools, universities, libraries, and other cultural institutions to use copyright material for non-commercial purposes;
3. new exceptions for people with disabilities;
4. a new exception to allow use of copyright material for parody or satire;
5. new enforcement measures

Over the fold, I summarise the announcements, and offer some commentary. (more…)