All jurisdictions


Alan Fels and Fred Brenchley have an opinion piece on anti-circumvention laws, mod chips, the Stevens v Sony case, and the current moves to reform Australian TPM law in the Australian Financial Review today (sorry, subscribers only). A taste: (more…)

At a time when there’s a little flurry about the application for a trade mark for ‘MADE IN AUSTRALIA’, it’s interesting to see this little Parliamentary Library Research Note on the significance of Country of Origin labelling. As you might expect, it shows there is little research, but what there is suggests that country of origin does matter to Australians: (more…)

Submissions are starting to find their way onto the website of the Legal and Constitutional Affairs Committee website. That committee is doing an inquiry into the exceptions that should be provided to the new anti-circumvention laws which must be enacted in Australia as a result of the Australia-United States Free Trade Agreement.

In its submission in the fair use/fair dealing inquiry, The Copyright Agency Limited (CAL) found history, harking back to the invention of the wheel, which it appears CAL did not realise was a recent Australian invention, which received an Innovation Patent.

Now it’s serious. CAL have found religion: (more…)

You might recall that on 5 September of this year, Justice Wilcox handed down judgment in Universal Music Australia Pty Ltd v Sharman License Holdings Ltd, colloquially known as the Kazaa case. It’s all about whether Sharman and others authorised infringement of copyright occurring over the Kazaa network. Wilcox J held that they did. I commented on the case at the time.

Were you wondering what had happened in the case? Whether it was on appeal? What was being done about the orders, at the time, requiring Sharman to make adjustments to their technology with a view to reducing the level of infringement occurring via the Kazaa network?

Well, thanks to the wonders of the Federal Court’s eCourt facilities, we can find out. (more…)

So they launch a video iPod. And The Australian headline notes, ‘Nothing on new iPod’. Warwick Rothnie talks about it here.

Rather, the headline should probably be, ‘Nothing new on iPod’. According to news reports, the device will play video you create yourself. So, my guess would be, it plays unprotected formats.

And we all know what happens when a device plays unprotected formats. Like, say, the iPod does with, say, mp3s. Right? Or am I wrong about this? Is there anything on this iPod which will prevent people playing, say, tv episodes downloaded from P2P networks or elsewhere?

When I commented on Stevens v Sony (here, and then here), I focused on the issue of the meaning of the anti-circumvention provisions. As others have pointed out (here, and Warwick Rothnie here), other matters were raised in the case – in particular, the meaning of reproduction in material form, or ‘copy’. William Patry has some interesting views on the issue today.
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The New York Times has reported on the rising cost of licensing intellectual property, noting that the asking price for licensing six seconds of a popular telephone ringtone for use in a documentary film was US$10,000 (eventually negotiated down to US$2,500). Overall, the documentary cost approximately US$500,000 to make, of which about US$170,000 were music licensing costs.

I’m all for compensating artists for using their works. But it’s clear that making low-budget films (particularly documentaries) is not necessarily so low-budget after all, particularly if the creators would like to make use, however fleeting, of clips of music, photographs, or other works protected by copyright.

This makes me think, should there be a sliding scale for licensing fees? Perhaps one based on the intended use of the licensed material, or on the profits received? Such a system might not be such a good deal for the rights holder. However, assuming that the high cost of IP has lead to people creating copyright works that infringe other works, it would be interesting to find out if cheaper licensing fees in certain situations might increase compliance with IP laws.

United States wireless telco Sprint Nextel has filed a suit in Kansas federal court against Vonage , Voiceglo Holdings, and theglobe.com (Voiceglo’s parent), claiming infringement of seven Sprint patents relating to voice over data packet technology, including VoIP. Injuctions against Vonage and Voiceglo, as well as unspecified damages, are being sought.

Vonage and Voiceglo are big business. Vonage is the largest United States independent VoIP service, with over 1 million subscribers, and is thought to be preparing for an IPO. Its service is designed to replace traditional telephones. Voiceglo offers a computer-based system that allows voice calls between computers or from computers to traditional phones, adopting a similar business model to Skype. (more…)

The Svenska antipiratbyrÃ¥n, the Swedish Anti-Piracy Bureau (a lobby group working against and investigating cases of alleged copyright infringement), has sued an individual for sharing movies online using the DirectConnect file-sharing protocol. The court, which heard the case last week, is expected to deliver a verdict on 25 October. (more…)

One issue that is knocking around in Australia at the moment is the scope of the concept of ‘patentable subject matter’. In particular, there has been a debate – and differences between the Patent Office and at least parts of the profession over whether, to be patentable, a claimed invention has to relate to a ‘field of technology’.

The issue is whether ‘pure’ business methods – business methods which are not ‘implemented’ in the form of some kind of technology (like computer software/hardware) can be patented – or whether they aren’t really inventions in a ‘field of technology’. The issue has been raised in a new US decision of the Board of Patent Appeals and Interferences. (more…)

The Court of Appeals for the Eleventh Circuit recently decided a rather fascinating case, HGI Associates v. Wetmore Printing Co.. It begins:

In this case, the Microsoft Corporation (“Microsoft”), through its subsidiary, Microsoft Licensing, Inc. (“MSLI”), and business partner, Wetmore, attempted to set an ill-conceived trap to ensnare a suspected software pirate, HGI. The trap, however, only managed to ensnare Wetmore.

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APC Magazine has a very interesting ‘feature’ today on MIPI, the friendly-sounding but definitely serious enforcement arm of the Australian Record Industry (doesn’t it just make you think it’s the name of a Muppet figure from Sesame Street? Hi, I’m Mippy. Who wants to play a spelling game with me? Can you spell P-I-R-A-C-Y?)

Anyway, name jokes aside, this is a serious report. It deals with the identity of MIPI, copyright enforcement strategy in Australia and likely shifts in that strategy (will we have more criminal enforcement?), and the settlement of the Australian BitTorrent case. (more…)

Patently-O has an interesting post on eBay’s cert petition in its litigation against MercExchange.

The case raises an interesting issue of just how far traditional principles of equity are modified by statute. Leaving aside the question of the availability of interlocutory relief while the litigation is still pending, the key as regards permanent injunctions looks to be 35 USC 283. (more…)

Larry Lessig has many examples of ‘remix culture’ in his book, Free Culture. Examples of images or other existing works taken out of context and then used to make a point or make new creative works. I’ve given examples in the past, too, like the post I once did on the Tarnation film. The point that Lessig (and others) have made about ‘Remix Culture’ is the fairly simple old adage: creativity often builds on the past.

I reckon this new Unicef ad campaign against child soldiers in Belgium is a pretty good example. (more…)

The US Copyright Office has announced the start of the next rule-making on exceptions to the ban on circumventing access control measures under the US DMCA. Submissions from the public are now being sought, with hearings scheduled for April 2006.

This is relevant to us here in Australia, as the House of Representatives Legal and Constitutional Affairs Committee is currently holding an inquiry on the appropriate exceptions under the currently-being-drafted Australian version of the DMCA, which we must enact as a result of the US-Australia FTA (for my previous comments on this, see Weatherall’s Law, on the sidebar, or click here and here).

Might I point out the process adopted by the US to prepare submissions on this issue? 2 months for initial comments, with a period set aside for reply comments. Overall, the US process looks decidedly less rushed than what the Australian government appears to be doing.

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