Thursday, 20 July 2006
One of the things I said just recently, in the Unlocking IP Conference at UNSW, was that one issue for Creative Commons, in seeking acceptability for use in the public sector, is the rhetoric. I argued that sometimes, in their eagerness to convince ‘the masses’, Creative commons mateiral has a tendency towards rhetorical excess and a ‘boosterism’ that isn’t a comfortable fit with either the public sector, or, indeed, with Australian culture more generally.
I wonder if other people agree with this point? I can’t help but think the more rhetorical and ideological Creative Commons is, the more that putting a Creative Commons button on your material becomes a political act, and an act that indicates some ‘allegiance’ with a particular cultural or political view. The implication is that the political or rhetorical statements of Creative commons have the potential, at least, to alienate at least some potential allies.
Now, it may be that I’m wrong on this: according to Neale Hooper from the Queensland government, for example, acceptance levels within the public sector are high. The Common Information Environment report, too, seems to indicate a high level of acceptance in the public sector bodies in the UK.
So maybe it’s a non-issue. On the other hand:
- according to Andres Guadamuz’ presentation at Unlocking IP, the issue of a distinction between the ‘cultural’ versus the ‘license geek’ wings of Creative Commons was in evidence at the recent iCommons summit;
- The Common Information Environment report is, again according to Andres, sitting on a shelf in the UK, going nowhere fast.
And then there’s this post from Lillian Edwards, which makes a similar point to the one I’ve been trying to make, albeit a little more eloquently. Lillian Edwards is making here a point about why ‘digital rights activism’, as embodied in people like Cory Doctorow or Lawrence Lessig isn’t much in evidence in the UK, despite a strong open source community and a long history of association with freedom of speech:
‘I think the problem is that we Brits just can’t make grand statements with a straight face the way the Americans can. We haven’t got the evangelical upbringing, the oral rhetoric of US culture. We’re far less likely to be found saying things like “Digital rights are essential if we are to avoid being the DRM-ed slaves of the next Microserf generation” and more “That last episode of Dr Who last night was good wasn’t it? Now, how about a cuppa, and er, about this ID cards business..”‘
Food for thought.
2 Responses to “Creative Commons and the Grand Rhetorical Tradition”
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July 20th, 2006 at 8:55 pm
Kim,
This is an interesting point.
Certainly in my experience [at a public museum] I have found much greater acceptance of similar systems like AE-Sharenet than CC.
Maybe AE-Sharenet, in its rather neutral sounding (and low profile) name is less obviously political – but it achieves similar ends.
That said, our audiences are generally education users and AE-Sharenet is active in promoting to those similar audiences and those audiences are crying out for access to content. [AE-Sharenet is especially relevant for organisations like ours when CAL may be charging users for material that the Copyright owners actually wish to be freely distributed]
In fact, within our institutional environment it seems that the public domain is easier to explain and actively promote than CC (see for example our Electronic Swatchbook project).
July 21st, 2006 at 5:16 pm
Couple of interesting things there, Seb.
First – when you say there is more acceptance of AEShareNet, are you talking about USER acceptance or INSTITUTIONAL acceptance? It’s interesting to note that according to Neale Hooper at the Unlocking IP Conference, the acceptance within government/bureaucracies was higher for Creative Commons.
I would agree with you that it has a more neutral profile/pragmatic approach than CC seen broadly (although CC Australia is probably more pragmatic/low profile/neutral in approach, than, say, the ‘global movement’.
Actually (and here’s a topic for a future post) – one of the most interesting things that I’ve been thinking about is the impact of public sector acceptance of/use of CC licenses. Imagine that, for example, the Queensland government adopts a particular CC license for its material. I imagine that in the process, the cooperation between Queensland government and CC Australia is quite close. Now imagine that CC ‘international’ seems to be heading in a different direction at some future point – one that doesn’t suit Australian public sector. What happens then? I guess I’m just curious what effect on the already rather interesting dynamics within the Creative Commons ‘movement’, acceptance by, and use of Creative Commons by public sector organisations would have… might be a non-issue, but it’s still rather interesting to speculate…